Soulwork

 

creative ceramic jewellery

 by julie apap

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How it's made

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I make pendants in many ways. Sometimes I roll a small ball of clay and press shapes that I have made or found, into it.

Often I roll out the clay like pastry and cut it into shapes with a cutter or a template. This needs smoothing and patterns and a hole made before it is dry. 

Many times, pendants warp and crack on drying and are then discarded.

Beads are shaped, patterned and the hole made  larger than needed, as the clay will shrink when drying and also during the firing.

During the firing they are put on a bead stand. This is because the glaze would stick the bead to the kiln shelf if glazed all over.

The first firing is 1000C to make the porcelain permanent and then after glazing it is taken to 1240C to mature the glaze.

Sometimes they go back in the kiln for the third time if they need some more detail.

Glazed beads stacked on a bead rack. 

After the firing

 

Send mail to info@soulwork.julieapap.com with questions or comments about this web site.

Last modified: 06/20/10

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